Jackie Sheehan traces the background and development of workers clashes with the Chinese Communist Party through mass campaigns such as the 1956-7 Hundred Flowers movement, the Cultural Revolution, the April Fifth Movement of 1976, Democracy Wall and the 1989 Democracy Movement. The author provides the most detailed and complete picture of workers protest in China to date and l...(展开全部)

Paul Johnson turns his great gifts as a popular and much-translated historian to a subject that has enthralled him all his life: the history of art. Art, he believes, was central to human development, more so than writing and even language. This history begins with the earliest rock paintings around 30,000 BC and takes us right up to the present day. E.H. Gombrich's legendary b...(展开全部)

Book Description In Art: A New History, Paul Johnson turns his great gifts as a world historian to a subject that has enthralled him all his life: the history of art. This narrative account, from the earliest cave paintings up to the present day, has new things to say about almost every period of art. Taking account of changing scholarship and shifting opinions, he draws our...(展开全部)

劳伦斯•里斯（Laurence Rees），1957年生，牛津大学毕业，英国历史学家、纪录片导演，被《泰晤士报》评为“英国最杰出的历史纪录片制片人”。曾担任英国广播公司（BBC）历史节目的创意总监，制作许多有关纳粹和二战系列的电视、电影，获奖无数，包括英国电影和电视艺术学院奖（BAFTA）、英国纪录片格里尔逊奖和国际纪录片奖等。代表作《奥斯维辛：一部历史》《纳粹：历史的警示》《东方恐怖：1931-1945的日本侵略》《世纪之战：希特勒和斯大林的战争》《希特勒：黑暗的克里斯玛》等。

Auschwitz-Birkenau is the site of the largest mass murder in human history. Yet its story is not fully known. In Auschwitz, Laurence Rees reveals new insights from more than 100 original interviews with Auschwitz survivors and Nazi perpetrators who speak on the record for the first time. Their testimonies provide a portrait of the inner workings of the camp in unrivalled detail...(展开全部)

白一平（W. H. Baxter），美国密歇根大学教授，主要研究领域为历史语言学，尤其是语言学中数学方法的应用等。沙加尔(L. Sagart)，法国东亚语言研究所教授，上古汉语、汉语方言和南岛语系的专家，第一个提出汉藏语系和南岛语系同源的假设。 两位作者都是多年来从事汉语音韵史研究的汉学家。

Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounte...(展开全部)

Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounte...(展开全部)

The phonological history of Chinese can be traced back to two main traditions: one starting with the Qieyun of 601, and the other starting with the Zhongyuan Yinyun of 1324. The former marks the beginning of Middle Chinese, and the latter marks the beginning of Old Mandarin. Both of these systems, as well as reconstructed Old Chinese, should be understood as ideal phonological ...(展开全部)

The phonological history of Chinese can be traced back to two main traditions: one starting with the Qieyun of 601, and the other starting with the Zhongyuan Yinyun of 1324. The former marks the beginning of Middle Chinese, and the latter marks the beginning of Old Mandarin. Both of these systems, as well as reconstructed Old Chinese, should be understood as ideal phonological ...(展开全部)